Get Your Power Back, from " Color of Violence" series
Fahimeh Vahdat’s exhibition, Take Your Power Back, recently on view at The Rouse Gallery at Howard Community College in Columbia, MD, is a masterful and complex exploration of two opposing forces; those of the Victim and the Hero.
First, we will explore the Victim of physical violence. As described by the artist, the flesh wound goes through four stages, but changes its color eight times during the entire healing process. These colors start with the very bright red color of fresh blood, to a darker, deeper and cloudy red of the scab. As healing continues, bruises develop, having colors that range from blue, blue- purple, purple, green- blue, brownish with yellow patches, and finally yellowish. When the wound completely heals, it may have a deep amber, and whitish scar for a while, depending on the color of the skin.
Vahdat represents these colors of violence through a series of works, each created with mixed media- an amazingly complex, yet very subtly intertwined mix of collage, sewing, embroidery, pigment, charcoal, glue, lace and fabric, on hand dyed canvas. These large veiled works take time to see and more time to fully internalize. While each is very different, they are tied together by large veils of translucent red, purple, greenish, and yellow fabric. Behind the fabric we begin to see beautifully drawn figures, those that have withstood attack and abuse. One of the many things that strikes me, while looking at the work, is how perfectly the drawings of figures are combined with the fabric, and how naturally, even quietly, these troubled figures seem to exist. They remind me of ghosts. And here I must bring in the reference to Gustav Klimt because they remind me of his work- or rather, I can see the ghosts of his work in Vahdat’s. While Klimt used heavily patterned spaces and beautifully drawn female figures, Vahdat uses softer, gauzier patterning, and figures (often maternal figures and sometimes children) that appear translucent- more an integrated part of the space.
As one walks through the exhibition, towards the back of the gallery, a room has been constructed. This room is covered in fabric and rugs and feels very soft and inviting. There is a chair where the viewer can sit and a device with which you are requested to anonymously record an act of violence or abuse you have endured. Vahdat intends to use the information within these recordings for her next project. Within the room is also a very compelling image of a young vulnerable girl, standing beside a maternal, protective figure, titled My Mother and I. This adds to the feeling of safety Vahdat wants to convey in this Safe Room.
A particularly ominous aspect of this installation is that while you at first feel very safe in the room, you soon realize that the there is a large dark, shadowy figure, just outside of the door, peering in. This dark figure is part of another mixed media work, but the positioning of it, in relation to the door of the installation, has a very intimidating feeling.
In summary, Fahimeh Vahdat’s Take Your Power Back, is an exhibition full of depth, meaning, and beauty. Her works unfolds slowly in time, displaying a true level of mastery and integrity in the process. She is particularly adept at mixing materials that a less skilled artist could never pull off. That said, the content of the work takes center stage, and this content is certainly worth experiencing.
Art Review by Greg McLemore, writer & artist, Baltimore
The ceiling of the edifice in the Sacred Crossing installation which constructs of a 10' X8' X10' has 10 roses hanged to honor ten Baha'i young women who were hanged in Shiraz, Iran in 1983. The fabric to cover the ceiling has screen printed words Iran and America.
My Uncle- Mr. Vahdat My great uncle, Mr. Yadulla Vahdat, was executed in Shiraz Iran on June 1981. His only crime was that he was a Baha'i and enttiled: father of the poor by people of Shiraz for his generosity to people. He was 80 years old.
Installation view This is a multimedia installation dedicated to the 215 people who were executed in Iran after the revolution of 1979 in Iran solely for their Baha'i faith. This piece has a center edifice that shrines the 10 young women who were hanged in Shiraz, Iran publicly on June 1983. One of them was my second cousin Tahireh. In this installation I have used digitized printing method on Chiri paper mounted on varnished wood for keeping them archival.
Sacred Crossings - Inside the edifice, 10' x 8' x 10' I tried very hard to fix this image, but the site keep showing it on its side!!! Using 215 white roses placing the against the exhibition floor/wall and 10 hanged inside the edifice for a tribute for the 10 young women hanged in Shiraz for their faith. The edifice ceiling's installation shot. Had screen printed fabric used as ceiling cover.
Installation View